Unified Outreach has been actively engaged in youth arts programming for nearly two-decades; and for the past 10 years has provided an eclectic catalog of unique programs from the Ginomai Arts Center in West Seattle’s Alaska Junction neighborhood.
August 21st Unified Outreach hosted their annual Youth Fashion Expose; a free community event which provided a top-shelf catered dinner and a raised runway with 20 models showing off the latest designs by Seattle Designers Carlisa Minnis and MAC Fashion House.
But behind the scenes is where the magic happens. The fashion show is part of a work-training program created by Unified Outreach that teaches Middle and High School students the skills necessary to deliver a high end event such as this. Student are trained on a variety of Adobe software programs used to design brochures and flyers, create music mash-ups, and edit photos and videos. Students also learn to construct the raised runway, provide staging ambiance, and operate the sound & lighting board.
This year, Unified Outreach Regional Manager for Nevada, Mrs. April Goode returned to Seattle to assist with the 2016 program. April has been active with Unified Outreach for over a decade, serving as Chief of Operations in Seattle before moving to Las Vegas in 2013.
“The reason I am back in Seattle is because I love this program. Of all the different classes we offer this one is closest to my heart because we are not only exposing kids to new artistic mediums, but we’re teaching them how to use those skills out in the real world” April says.
The program, visualized and launched in 2010 by Unified Outreach staff; was presented to Mayor McGinn at a series of town halls. The following year Mayor McGinn and the city began funding the Office of Arts & Culture work-readiness grant program; which provides Unified Outreach and other local Charities with funding to assist with program costs and to provide each youth with a monetary stipend.
April says that she has personally seen lives changed by the program. “We build artistic skills, we focus on resume building, educational tracks, and networking opportunities. But we also focus on team building, communication, and breaking down barriers. All of this comes together to build positive self-esteem; which is the greatest gift we can give our kids”.
And the proof can be seen in the instructors themselves; many of which began the program as students and have now returned to give back to the program that they love.
Darrian started attending classes over 10 years ago, participating in music, dance, and video programs; where she co-hosted the Unified Outreach/SCAN Television program “What’s Good Seattle, the Shop 206”. Today she teaches classes in Fashion/Runway Event Management, as well as summer day camp Cartoon Animation and Video Production programs.
Isis first walked the catwalk six years ago at the pilot work-training program in 2010. This year was her first in the role of Instructor. “I really feel like I identify with the kids in the program. And it feels really good to share the things I’ve learned over the years.”
Kiel has been participating in Unified Outreach classes for as long as she can remember. From traditional drawing and painting, to contemporary dance, cartooning, music, and video. This year was her first as a program instructor for the Cartoon Animation Summer Day Camp.
Karla participated in the work-readiness program in 2013 and this year returned as an instructor for the Runway program. Now 18, Karla is also using the contacts she made through the program to pursue her own career in Fashion and Design.
Unified Outreach Co-Founder David Toledo stated that it’s only natural that Unified Outreach would have strong leaders such as April and the previously mentioned students-turned-teachers.
“The Unified Outreach program was really inspired by my mother Alice; who in the early 1980’s opened a food bank from the steps of our own home. Mom was so creative, with a “lead by example” attitude, and a fearless advocate for kids, seniors, those with special needs, and really anyone who needed help. And my sister Diana Toledo-Palmer is the same way. She’s such a great example and inspiration for me. She’s a leader in the community; active in so many community organizations and working so hard to make West Seattle a better place for our children”, David Said.
Unified Outreach is located in West Seattle. More information is available at www.UnifiedOutreach.com
October 19, 2016 – The Alaska Junction District of West Seattle is known as an Artist hub so it’s no surprise that it’s home to one of Seattle’s favorite cartoonists, David Toledo. David is the Program Manager for the Unified Outreach youth-arts program which has operated for nearly 2 decades and regularly teaches a summer and winter break day-camp with a focus on cartoon animation.
David’s current project is called “the Mascots” which when completed will be a 30-minute animated feature scheduled to debut at the 2017 Emerald City ComiCon. As with most 30-minute cartoon programming the time will be divided into 3 individual cartoon shorts averaging about 10 minutes each. The first 10-minute episode titled “Join the Band” is currently viewable at https://www.youtube.com/watch?v=TTUZ60sbfR8
What’s the cartoon about?
The Mascots are 4 friends dealing with peer pressure, girl troubles, and trying to make the “team”. It’s everything you’d expect in the lives of your average, all-American, teenage…. Animorphs?
David says “Everyone is familiar with the superstar mascots that strut their stuff through the world’s biggest sports arenas – bringing smiles to children and firing up the fans in the stands! But have you ever wondered about their lives outside of the spotlight? Life BEFORE they made it to the main stage?”
David Toledo is the Creator, Writer, Illustrator, and Animator of “Meet the Mascots” and also voiced multiple characters who appear in the Pilot Episode including the (4) Leads. Joining him for the pilot episode is a small group of voice-over talent that includes some very well known artists in Seattle’s hip hop community.
Meet the Voices featured in the Pilot Episode:
Robert Anderson (DJ Iceman) has been a DJ for 33 years. originally from Brooklyn, New York; he’s been a staple in the South Sound Music scene since he moved to Tacoma Washington in 2007. He is a proud member of 206 Zulu and has been a Wu-Tang DJ since 2011. you can currently hear him on Wednesdays at 7 pm on www.wild1radio.com on his “Sure Shot” radio show.
Clayton Bragg (C-Dogg) is a rapper and video-blog host living in Edmonds, Washington (just north of Seattle). Born in Des Moines and raised in Snohomish County, Clayton graduated high school in 2009 as a proud Panther.
Clayton was born with conical heart defect and cerebral palsy, but that has not stopped him from pursuing his love of music. You can follow C-Dogg on twitter at handicapbragg, or at https://www.youtube.com/user/rappercdogg.
Christina Virgillo-Emery (Mz. Music Girl) is a DJ at Zulu Radio and can be heard at www.kbcs.fm or on 91.3 fm.
Born and raised in Culver City (L.A.), California, Mz. Music Girl moved to Washington State in summer 1995, and became a member of 206ZULU in 2005. She enjoys music, turntablism, traveling, arts & crafts, sports, and many other things!
Cinnamon Rosa the founder of Village Keepers; a youth-focused outreach program in Tacoma, Washington; and a Food Equity Leader for the Puyallup Watershed Initiatives Just & Healthy Food System. Cinnamon’s role within the “Meet the Mascots” project also includes script consultant and character development.
Able Fader is veteran Hip Hop DJ, Music Producer, Event Promoter, Mobile DJ, Graphic Designer, Web Developer and Recording Artist. Able has been creating art within Hip Hop culture since 1987 and DJing since 1994. He is founding resident of (((THE JAM))) a popular Hip Hop club night on second Fridays at Vermillion on Seattle’s Capitol Hill as well as HOME SLICE a monthly showcase of local NW Hip Hop talent at Seattle’s historic The Crocodile. Able collaborates actively with many of Seattle’s most respected artists and is a member of both 206 Zulu and the Filthy Fingers United producer collective. http://fade.graphics
Music/Mobile DJ Website: Thubba Thubba:http://thubbathubba.com
Additionally, there will be plenty of opportunities for local artists to partner on the project as it moves forward. There is a Facebook page where updates will post; as well as open-calls for voice-over artists, cosplay actors/actresses, and others interested in being part of the program.
Unified Outreach has been actively engaged in youth arts programming for nearly two-decades; and for the past 10 years has provided an eclectic catalog of unique programs from the Ginomai Arts Center in West Seattle’s Alaska Junction neighborhood.
August 21st Unified Outreach hosted their annual Youth Fashion Expose; a free community event which provided a top-shelf catered dinner and a raised runway with 20 models showing off the latest designs by Seattle Designers Carlisa Minnis and MAC Fashion House.
But behind the scenes is where the magic happens. The fashion show is part of a work-training program created by Unified Outreach that teaches Middle and High School students the skills necessary to deliver a high end event such as this. Student are trained on a variety of Adobe software programs used to design brochures and flyers, create music mash-ups, and edit photos and videos. Students also learn to construct the raised runway, provide staging ambiance, and operate the sound & lighting board.
This year, Unified Outreach Regional Manager for Nevada, Mrs. April Goode returned to Seattle to assist with the 2016 program. April has been active with Unified Outreach for over a decade, serving as Chief of Operations in Seattle before moving to Las Vegas in 2013.
“The reason I am back in Seattle is because I love this program. Of all the different classes we offer this one is closest to my heart because we are not only exposing kids to new artistic mediums, but we’re teaching them how to use those skills out in the real world” April says.
The program, visualized and launched in 2010 by Unified Outreach staff; was presented to Mayor McGinn at a series of town halls. The following year Mayor McGinn and the city began funding the Office of Arts & Culture work-readiness grant program; which provides Unified Outreach and other local Charities with funding to assist with program costs and to provide each youth with a monetary stipend.
April says that she has personally seen lives changed by the program. “We build artistic skills, we focus on resume building, educational tracks, and networking opportunities. But we also focus on team building, communication, and breaking down barriers. All of this comes together to build positive self-esteem; which is the greatest gift we can give our kids”.
And the proof can be seen in the instructors themselves; many of which began the program as students and have now returned to give back to the program that they love.
Darrian started attending classes over 10 years ago, participating in music, dance, and video programs; where she co-hosted the Unified Outreach/SCAN Television program “What’s Good Seattle, the Shop 206”. Today she teaches classes in Fashion/Runway Event Management, as well as summer day camp Cartoon Animation and Video Production programs.
Isis first walked the catwalk six years ago at the pilot work-training program in 2010. This year was her first in the role of Instructor. “I really feel like I identify with the kids in the program. And it feels really good to share the things I’ve learned over the years.”
Kiel has been participating in Unified Outreach classes for as long as she can remember. From traditional drawing and painting, to contemporary dance, cartooning, music, and video. This year was her first as a program instructor for the Cartoon Animation Summer Day Camp.
Karla participated in the work-readiness program in 2013 and this year returned as an instructor for the Runway program. Now 18, Karla is also using the contacts she made through the program to pursue her own career in Fashion and Design.
Unified Outreach Co-Founder David Toledo stated that it’s only natural that Unified Outreach would have strong leaders such as April and the previously mentioned students-turned-teachers.
“The Unified Outreach program was really inspired by my mother Alice; who in the early 1980’s opened a food bank from the steps of our own home. Mom was so creative, with a “lead by example” attitude, and a fearless advocate for kids, seniors, those with special needs, and really anyone who needed help. And my sister Diana Toledo-Palmer is the same way. She’s such a great example and inspiration for me. She’s a leader in the community; active in so many community organizations and working so hard to make West Seattle a better place for our children”, David Said.
Unified Outreach is located in West Seattle. More information is available at www.UnifiedOutreach.com
The creativity and passion of youth was on full display at the August 21st Unified Outreach Fashion Expose’ in West Seattle.
On stage were 20 aspiring models broken into two groups; the Little Royals were first-year models ages 5-10; followed by the Reign of Fashion models who ranged from 13-18 years old. For many this was the first time they had ever walked a runway; but designer Carlisia Minnis from MAC Fashion House spent time with the models during the weeks leading up to the show to be sure that they were comfortable strutting their stuff on the catwalk.
Behind the scenes were youth from the Unified Outreach program which consisted of teams of youth ages 13-18 who planned, designed, and delivered the 1 hour program. These teams consisted of Facilities/Stage Set-Up/Sound & Lighting, Promotions/PR/Marketing, Photo & Video Production, and Stage Management/Models/Runway.
David Toledo, one of the event organizers said, “The entire behind the scenes crew was made up of teens from 13 to 18 years old from the work training in the arts program. It can be hard to grasp the magnitude of what these kids were able to produce; especially when you consider that many had no experience of this sort just 4 weeks ago. But tonight they did the sound and lighting, facilities, photo and video, stage set up, and everything else to deliver this flawless event.”
Credit was also given to the program instructors April Goode, Edward Dumas, and Isis West-Goode; as well as the SYVPI counselors Nani, Lensy, Merry, and J’Quai who provided additional support to the kids during the 4 weeks of classes.
In the audience was a mixture of both local and national personalities, sports stars, political figures, media personalities, major advertising agencies, and merchandizing and department store buyers; provided the youth an excellent opportunity to network with industry leaders and local heroes who were available for the meet & greet following the show.
The annual event is made possible with a financial grant from the Office of Arts & Culture, a technology grant from 4Culture, and a facility usage grant from West Seattle Christian Church. Once all of the funding is in place Unified Outreach partners with the staff at SYVPI and SW Family Services to recruit youth ages 13-18 to participate in the program.
The work-readiness-in-arts partnership was created during the Mike McGinn mayoral era; a result of Unified Outreach members engaging Mayor McGinn at art-related town halls. Unified Outreach presented the idea that the City wasn’t doing enough by simply funding arts classes; but that kids need networking opportunities, as well as education and career tracks once the art class/workshop has ended. Mayor McGinn was receptive and in 2011 the City launched the work-readiness grant program.
And on Sunday, August 21, 2016 the Unified Outreach non-profit youth arts Charity took work-readiness programs to a whole other level with a custom designer fashion show that would put some industry-level entertainment companies to shame. The event was hosted by local celebrity Sammy Tekle, with music performances by Ali Rahimi, dance routine by TGK Dance Crew, and featuring a fully catered dinner by Goode Girls.
In addition to the custom design outfits by MAC Fashion House; this year Unified Outreach also welcomed Lu LaRoe who provided the outfits for the Little Royals.
The Unified Outreach Work-Training in the Arts program returns in 2017. Visit http://www.UnifiedOutreach.com for details.
The buffet and desert selection was provided free by Goode Girls Catering.
The event was held a the WSCC Exhibition Hall at 4400 42nd Ave SW.
(Seattle, Washington) June 17-18, 2016 marks the highly anticipated return of Hip Hop emcee, producer, and organizer Danny “King Khazm” Kogita, with a double album release and theater production entitled “Diaries of a M.A.D.” The first show at the newly renovated Historic Washington Hall.
Diaries of a M.A.D. is an interdisciplinary installation, uniquely bridging music, cinema, and performing arts in an intimate exploration of struggle and perseverance. The album is laden with crisp snares, warm kicks, and dusty samples produced by members of Dev From Above, Third Eye Bling and Khazm and his beat crew, The Konstructicons. The soundscapes of this autobiographical essay paint a dark lacquer of social commentary.
The stage show produced by Olisa “Spyc-e” Enrico, is an artistic interpretation of how a biracial, disabled youth was able to overcome challenges in Seattle’s South end. An amalgam of Hip Hop, Japanese culture and disability awareness; the conceptual musical performances, blended with visual projections, dance and theatrical segments, push the boundaries of what is and what can be.
In 2003, King Khazm, along with his rap group- Cyphalliance, emerged onto the Northwest Hip Hop scene with exceptional response with debut album “Industreets.” A barrage of technological mishaps and life prevented the long awaited follow up album from seeing the light of day- until now.
One decade later, Living as a M.A.D. has been miraculously recovered, and after several months of extensive reconstruction, the album will finally be released. This sonically diverse project, recorded at Seattle’s renown Pharmacy, includes production by Jake One, Vitamin D, DJ Tre, Kitone, and others. The soundscape ranges from socially conscious lyrics to smooth melodic vocals.
Diaries of a M.A.D. and Living as a M.A.D. both release on Fresh Chopped Beats / MADK Productions and will be available at iTunes, Amazon.com and finer Hip Hop specialty stores.
King Khazm “Diaries of a M.A.D.” Theatrical Experience
June 17-18, 2016
Washington Hall
153 14th Ave, Seattle, WA 98122
Doors 7:00pm / Curtain 8:00pm
$25 General / $35 VIP / $5 Students 18 & Under
Tickets at BrownPaperTickets.com
September 10, 2015 – An hour before they took the stage at MTV’s Video Music Awards in Los Angeles on August 30th, Macklemore and Ryan Lewis were sure their set was going to be a total disaster. The Seattle rapper-producer duo had just finished the final run-through of the performance — an ambitious outdoor version of their new single, “Downtown,” involving tricky choreography and multiple guest vocalists — and nothing was going right. “We watched the playback, and Ryan was bummed,” says Macklemore. “He was like, ‘Dude, this isn’t good. It’s going to be a s**show.'”
In the end, their first televised performance in more than a year went off without a hitch — but it was a high-stakes moment for more reasons than one. The last awards show Macklemore and Lewis performed at was the 2014 Grammys, where their platinum-selling The Heistbeat out Kendrick Lamar and others for Best Rap Album. The backlash that followed was swift and brutal: Many fans saw them as symbols of the advantages that white artists have even in a historically black genre. Last fall, the rapper — who went sober in 2008, but relapsed into drug use during his sudden rise to fame — got clean again, and he says the 12-step philosophy has helped him deal with criticism. “There’s this tendency to be like, ‘Where’s the negative stuff? How valid is the criticism?'” says Macklemore. “But honestly, what people think of me is none of my business. If I live on the Internet looking for public approval, I’m going to be miserable.”
The day after the VMAs, Macklemore is calling from a mountain cabin in eastern Washington, where he and Lewis are putting the final touches on their follow-up to The Heist. “I’m feeling great about this album,” he says. “It has a diversity of sounds and textures and concepts. We’ve been able to take our time with it, and it’s a great feeling to get to that point.”
His relief at having gotten through the VMAs is audible. “It was intense,” he says. “You’re sitting in your seat, Kanye’s giving his speech 10 feet away from you, and you realize how many people are out there watching and commenting and judging and making memes. This Internet culture that we’re in feels so foreign and so strange sometimes. The VMAs, the Grammys, Twitter, Facebook — all of that is artificial. What’s real is creativity.”
The “Downtown” video has been viewed more than 11 million times on YouTube; the song is the result of an 18-month-long recording process that began when Macklemore and Lewis were on tour somewhere in the American Midwest. “Ryan made a beat called ‘Moping Around,’ and I thought it was about mopeds,” Macklemore says with a laugh. He began writing rhymes about the vehicles that he and Lewis had bought to relieve the monotony of life on the road. Lewis took this theme as a production challenge, building “Downtown” into a five-minute epic packed with stylistic detours into Seventies rock, show tunes and more. “We worked at whatever studios were available when we had random ideas,” Lewis says. “There was a long time when I didn’t think I was going to be able to capture what was in our heads.”
September 23, 2015 – The Legacy of Hip Hop at the Museum of History and Industry (HOHAI) will run September 19, 2015 through May 1, 2016. This trip through NW hip hop history is a fun way for elder b-boys to take a walk down memory lane, and for the younger generation to learn about those that came before them.
It’s well worth the $14-$17 entry price to see some of the once-in-a-lifetime artifacts which include championship dance trophies won by Seattle’s own Massive Monkees, 30 years of cd’s, tapes, and records from iconic rappers and Dj’s such as the Emerald Street Boys, Sir Mixalot, B-Mello, DJ Mr. Supreme, Specs, and more. Also on display are iconic jackets from Nastymix Records (the Seattle label founded by Mixalot and Nasty Nes), Macklemore, and Mecca wear.
The event features a “tag wall” (pen & paper) for visitors to “get up”, as well as a series of live performances from both established and up-and-coming artists (Dumi, Nya, Specs, and more).
Noticeably missing from the display is the contribution of Seattle’s first breakdance groups “the Emerald City Breakers” and “Seattle City Breakers” and their founding members Junior Alefaio and Carlos (Slamalotte) Barrientes; as well as multi-generational hip hop icons Dave (Pablo D) Narvaez, Rafael Contreras, Donald (Ziggy) Puaa, and Nathan (Sire One) Hivick. However, even with these stars omitted the display is still very comprehensive in it’s presentation and has received very favorable reviews from many in the old school community.
Curators Jazmyn Scott (The Town Entertainment) and Aaron Walker-Loud (Big World Breaks) freely admit that there are major gaps in the exhibit and that the amount of hip hop history and artist contributions is just too big to include everyone; but they hope that the exhibit will at least shine a spotlight on some of the talent that has existed here for the past 30 years.
“It’s not even that it’s my (or our) version of the story. It is an attempt to put into historical context, something that has been widely overlooked for years. We have acknowledged from day one that there are gaps; there is no way to tell the entire story. With this, we hope to give a glimpse into SOME of the people, places and things that make up this very rich culture in our town. It is only a starting point. Maybe someone else will pick up the torch or support us in making it even more comprehensive.” ~ JS.
The program features an interactive exhibit with historic audio recordings, photography, artwork, and more.
For more information on NW Hip Hop including artists not featured in the MOHAI exhibit please visit the following link:
June 11th, 2015 Writer/Director Maximilian Meador-Stockstill brings the real-life police/teen interactions of Seattle residents to the stage in an entertaining combination of drama, suspense, humor, and dance.
Sammy Tekle shines as the main character who (although recently deceased) walks the audience through a series of emotional flashbacks which start with him hanging with his crew (which include some spectacular dance performances) and end with him being shot during a routine traffic stop.
Dan Haile has the audience in tears as he delivers the eulogy for his fallen friend; and Vicious Puppy (aka Dog Pound) members (Jonathan Higuchi, Binh Nguyen, Robert Eyerman, Justin Law, John Pham, Quan Nguyen) deliver a passionate back-and-forth debate regarding the role of police and how we as citizens should interact with them.
Black & Blue received a standing ovation and extremely positive feedback during the question & answer period following the performance. Writer/Director Maximilian Meador-Stockstill stated he would be interested in expanding the tour and all actors showed an interest in an extended run.
The Vicious Puppies (aka Dog Pound) continue their meteoric rise to celebrity status by expanding their already impressive resume which includes performances at the Paramount’s “Dance This!” and main stage performances at this Summer’s “Sasquatch” tour.
THE AFFORDABLE HOUSING BUZZ. UNDERSTANDING WHAT EVERYONE IS TALKING ABOUT.
Seattle loves our buzz-words and bumper sticker slogans; and who can’t get behind something like “Affordable Housing, Now!” Especially when the annual night-out homeless count found 2,813 people sleeping on the Seattle streets (and another 1,000 on the outskirts of town).
But ask the average person on the street to define affordable housing and you might be surprised with the answer (or lack of). Terms like affordable housing, rental subsidies, transitional housing, shelters, Section-8, and low income housing all run together in a hodge-podge of confusing buzz words and political jargon.
If we want to solve these problems we need to all start speaking the same language.
The first step in addressing the very different, yet sometimes linked problems of affordable housing and homelessness will lie in our ability to clearly communicate what we see as the genesis of each problem. Once we are clear with what problems we are trying to correct we can begin identifying existing programs along with their strengths and weaknesses. We need to communicate in clear, easy to understand terms what at the challenges and what is the goal as we move forward in address our housing problems.
AFFORDABLE HOUSING:
The term affordable housing is connected to median income. Once the median income for an area is established then rentals over 30% of a renter’s income is considered cost burdened or unaffordable. So what is median income? Median income is the middle point of a climbing income chart. At one end you have zero income, the other end you have the highest earner in the given area. All earners are put on a chart from lowest to highest in chronological order. Then, the chart is split right down the middle and that point is the median, the exact center of the chart. Median is not the average income of an area, nor is it a bell-curve (majority income). Here’s an example- if the market consists of only 9 people, with the first 3 all making $3 each, then all others earning income that climbs in $5 increments, the median in this case would be $13 (the middle point), and 30% of that would be $3.90 (affordable housing). Now, if all landlords in the area rented at that rate, it would make it very hard for tenants at the lower end of the spectrum to find housing; which is what has been the topic of discussion for those advocating for “affordable” housing.
The confusion comes when using the term “affordable” housing in broad terms. In markets with heavy ends of the spectrum landlords who may in fact be pricing their units at 30% of median income may appear to be price gouging when that is not always the case. Median income for a 2-person household in Seattle for 2014 is approximately 64K. So a 1-bedroom apartment priced at $1600.00 is considered affordable housing by HUD standards, even though this rate would not be considered affordable by someone living in the lower end of the chart.
We need a clear distinction between advocating for rent control, subsidized housing, or homeless shelters and services. All are important discussions and deserve to receive consideration from our city leaders and community stakeholders.
If we are talking about rent controlled areas then we must be clear that rent control legislation is what we are seeking. However, as RCW 35.21.830 currently prohibits rent control in Seattle we need to look at other ways to provide relief to renters.
If we are talking about increased subsidy programs we need to look at the pros and cons of existing subsidized housing in Seattle to see how to best develop any new funding programs.
SUBSIDIZING TENT CITIES AND SHELTERS:
Currently the City is looking at providing 50 new shelter beds and proposing a bill to allow three tent encampments in the city. Funding of new and expanding shelters and tenant cities must be a priority for our legislators. If Seattle moves forward with linkage fees on new construction this should be one of the areas that we use the collected revenue.
As these programs are expanded we must understand that there is no one-size-fits-all regarding our shelter system. Many seniors won’t stay in a shelter because they fear the youth violence, whereas some veterans won’t take a bed that could go to someone else because they are still holding to their idea of honor and service to their fellow man. We need to look at targeted funding/special programs for our seniors and our veterans, as well as growing our teen, single mothers, and family shelters.
The proposed 3 tent cities modeled after the Nickelsville camp can provide community structure that is much safer than the streets would be for a family trying to survive on their own. However, the city still needs to develop a structure for how to best partner with these programs, and provide access to essential services such as one-stop help complexes to give access to city services and help with personal economic recovery. Additionally, some activists are working towards establishing tent-cities in residential areas; whereas currently they are limited to mixed use and commercial zones. The concern that tent cities may permanently change the personality of a given neighborhood is something that city leaders must consider when engaging this issue. We must resist the urge to fix-it-quick and instead find a long-term solution that meets the needs of those facing homelessness while still respecting the property rights of our neighbors.
HOUSING SUBSIDIES:
Voucher Programs: Voucher programs are generally HUD funded programs that involve HUD paying a portion of said rent. The “Section 8/Housing Choice Voucher” program is a voucher that is given to a tenant to use at ANY rental property that falls within the voucher limits (a 1-bedroom voucher is $879).
The Section 8 voucher holder is considered a “protected class” in Seattle which means landlords cannot discriminate or refuse tenancy just because they don’t want the Section-8 check. It has become increasingly harder to use Section 8 vouchers in the Seattle area because of the recent rise in rental amounts, but the voucher is still valued for its portability.
The second type of voucher is called “Project Based” which ties the subsidy to the apartment itself. The Project Based program partners with a given apartment building (these apartment owners are community partners working directly with HUD or with a Housing Authority). This means the tenant pays a reduced rent on the apartment. If the subsidized tenant decides to move from the apartment they lose the assistance and the next person moving into that apartment gets the subsidy. As long as the voucher holder stays under 80% of median income they will receive some portion of assistance. If the tenant income surpasses that 80% of median income the tenant loses their voucher. However, in both cases the vouchers are also transferable between household members, and can be given to other family members or even friends as long as they are listed in the household. The vouchers are transferred by promoting a current household member to Head of Household prior to the original voucher holding tenant moving out. Some subsidy vouchers have been known to be handed down through several generations.
It is not uncommon for developers to receive tax-breaks in exchange for a low-income annex to new construction. Contracts usually stipulate that a portion of the new rental space be subsidized for an average of 40-years before moving to market rate.
LIPH: Another type of subsidy is Low Income Public Housing (LIPH). This is housing which is usually owned and operated by the government or a non-profit, although some public housing projects are managed by subcontracted private agencies. Seattle Housing Authority owns some 600 properties in Seattle including single resident homes, duplexes, high rise buildings, and major housing properties such as Yesler Terrace, High Point, Rainier Vista, and New Holly.
Seattle Housing Authority provides subsidy assistance to over 28,000 people in the Seattle area alone each year. This includes over 5,300 Low Income Public Housing (LIPH) units in major apartment complexes, 1,600 town homes, duplexes, single family units, and another 8,500 Section-8 vouchers. King County Housing assists another 7,800 apartments and 11,000 Section-8 vouchers, and smaller programs house thousands more in the Greater Seattle area.
Although some programs such as Senior Housing have a minimum income requirement with rent portion based on a step-program, the majority of LIPH programs do not have such a requirement and ask only a $50 monthly payment for tenants with very low or zero income. This is where the biggest drain is on the Housing Authority’s budget and something we will look at in the next section.
SAVING THE SUBSIDIZED HOUSING WE ALREADY HAVE
In 2014 Seattle Housing Authority presented their Step Forward Proposal. Under the proposal current households with “work-able” tenants would be required to move to a step increase rental program. Unfortunately the program met with fierce resistance and was shelved, possible permanently. But I would like to examine the proposal as well as the circumstances that led to its inception.
Their proposal simply put operated like this: LIPH households that had someone “work-able” between the ages of 24 and 61 and who does not have a disability would move to a step-rental program. Let’s look at a 1-bedroom example of how the program would work: A family in a one-bedroom apartment would pay $140 monthly rent for the first year (four bedroom homes start at $180), rent increased the second year to $340, and so on until it peaked at $720 in the 7th year. The program is easily affordable for even someone working part-time at minimum wage and is in-step with the increased minimum wage law that is currently being applied in Seattle.
Some Seattle City Council members not only refused to engage in discussion of the proposal, but actively encouraged the disruption of town hall meetings that were designed to foster dialogue between the Housing Authority and its tenants.
But what events inspired the proposal in the first place?
In 2011-2012 Seattle Housing lost 11% of its annual budget when HUD announced that it was cutting funding to Seattle Housing Authority. This resulted in massive staffing cuts, but left the tenant subsidies untouched. In other words, Seattle Housing Authority did everything they could in order to keep the tenant programs running as they had always been.
Now, imagine you are the property owner of one of the 4-bedroom homes that SHA owns. The renters are a zero income family paying the standard $50 minimum rental bill each month. This year the roof starts leaking, and someone kicks a hole in the wall, the window gets broken, and the refrigerator needs replacing. Plumbing issues, electrical issues, bedbugs, vandalism, and more. How do you cover the costs of these types of repairs when you’ve only brought in a total of $600 in rent for the entire year? Even the best of tenants will require maintenance now and again; and SHA pays union wages, so the repair job is always quality; but the bills aren’t cheap.
But the biggest source of destruction in many zero-income homes is mold. One of the biggest problems facing a zero-income family is how to pay for electricity. If a family cannot pay their electric bill or intentionally keeps their heat turned off to save money, the result is often mold. Mold can destroy insulation, fixtures, interior and exterior walls, and more.
So we have to ask ourselves is the current model sustainable? Can Seattle Housing continue to meet the needs of current and future residents with funding being cut and with a City Council that fails to act as an honest broker between the Housing Authority and Tenant Advocates?
I’m not here to debate the merits of the Step Forward proposal. But I will ask if you had previously heard any of the information I just presented? In order to solve our housing problems voters and advocates need to be presented with all the facts and we need city leaders that are able to examine all ideas without giving in to their own hubris and political grandstanding. Don’t like the proposal? Have concerns with certain areas and need more information on exemptions? Bring them to the table and let’s talk about them. I understand and agree that nothing should be rubber stamped. We see the results of failed due diligence in the matter of the tunnel fiasco and we want city leadership that asks questions and is engaged. We need city leaders that encourage honest conversations and debates in an effort to find positive solutions to our housing problems. However, what we’ve seen instead is a city council that encourages shouting down opponents and the obfuscation of facts, and that is doing our city a great disservice. We must be careful about our focus on what other programs the city should fund or expand even as the largest housing program in our region is sinking beneath us.
EXPANDING SUBSIDIZED HOUSING IN THE SEATTLE AREA
There have been a number of proposals for expanding subsidized housing in the Seattle area. Ideas range new construction “linkage fees” assigned to contractors and used to fund smaller low-income housing programs. Others have suggested more flexibility with micro-housing and congregate housing standards, encouraging the building of apartments that trade the comfort of spacious living for a lower rental costs.
However, we as a city also need to look at external forces that hinder low-income housing from being successful. We talked earlier about the issue of mold being rampant in low-income housing units; causing structural damage as well as health issues for tenants. This problem is often overlooked by those that advocate for free homes/housing for the homeless. Although their hearts are in the right place, it is almost certain that any shelter in the northwest will fall into disarray if the person being housed is unable to keep the electricity on.
Educational opportunity, work training programs, economic growth, and addressing Seattle’s perilous relationship with one of the country’s most regressive tax systems are all steps our city leaders must take if we are to ever see a decrease in our need for emergency shelter and subsidized housing services.
For those of us that advocate for our brothers and sisters that are at-risk of losing housing, or that are already living in transitional housing, shelters, tent-cities, or on the street; we must be clear in our message. We must not be afraid to discuss ideas and we must never let “perfect” be the enemy of “good”. We can overcome even the most mountainous of problems one step at a time; unified, armed with knowledge and a willingness to hear all ideas.
David Toledo is the Director of Unified Outreach Seattle, a 501c3 established 1998.