SEATTLE MUSEUM OF HISTORY AND INDUSTRY HONORS HIP HOP (here’s what I saw!)

Mohia 2September 23, 2015 – The Legacy of Hip Hop at the Museum of History and Industry (HOHAI) will run September 19, 2015 through May 1, 2016. This trip through NW hip hop history is a fun way for elder b-boys to take a walk down memory lane, and for the younger generation to learn about those that came before them.

It’s well worth the $14-$17 entry price to see some of the once-in-a-lifetime artifacts which include championship dance trophies won by Seattle’s own Massive Monkees, 30 years of cd’s, tapes, and records from iconic rappers and Dj’s such as the Emerald Street Boys, Sir Mixalot, B-Mello, DJ Mr. Supreme, Specs, and more.  Also on display are iconic jackets from Nastymix Records (the Seattle label founded by Mixalot and Nasty Nes), Macklemore, and Mecca wear.

The event features a “tag wall” (pen & paper) for visitors to “get up”, as well as a series of live performances from both established and up-and-coming artists (Dumi, Nya, Specs, and more).

MohaiNoticeably missing from the display is the contribution of Seattle’s first breakdance groups “the Emerald City Breakers” and “Seattle City Breakers” and their founding members Junior Alefaio and Carlos (Slamalotte) Barrientes; as well as multi-generational hip hop icons Dave (Pablo D) Narvaez, Rafael Contreras, Donald (Ziggy) Puaa, and Nathan (Sire One) Hivick.  However, even with these stars omitted the display is still very comprehensive in it’s presentation and has received very favorable reviews from many in the old school community.

Curators Jazmyn Scott (The Town Entertainment) and Aaron Walker-Loud (Big World Breaks) freely admit that there are major gaps in the exhibit and that the amount of hip hop history and artist contributions is just too big to include everyone; but they hope that the exhibit will at least shine a spotlight on some of the talent that has existed here for the past 30 years.

It’s not even that it’s my (or our) version of the story. It is an attempt to put into historical context, something that has been widely overlooked for years. We have acknowledged from day one that there are gaps; there is no way to tell the entire story. With this, we hope to give a glimpse into SOME of the people, places and things that make up this very rich culture in our town. It is only a starting point. Maybe someone else will pick up the torch or support us in making it even more comprehensive.” ~ JS.

The program features an interactive exhibit with historic audio recordings, photography, artwork, and more.

For more information on NW Hip Hop including artists not featured in the MOHAI exhibit please visit the following link:

VP 2

https://kingcountynews.org/2014/11/11/deepest-roots-30-years-of-hip-hop-in-seattle/

 

Taylor Swift wins 8 trophies at Billboard Awards

Another day, another domination for Taylor Swift: She was the red hot winner at the Billboard Music Awards.

Swift won eight of 11 awards, including top artist and top Billboard 200 album for “Red.” She told the crowd: “You are the longest and best relationship I ever had.”

She also had a colorful performance of her hit “22” – starting backstage and working her way to the main stage on the back of a bike with help from a dozen background dancers and a flurry of red balloons.

Justin Bieber also performed – twice – and was also a multiple winner with three awards, including top male artist, social artist and the fan-voted milestone award, beating out Swift and Bruno Mars. When accepting the latter – where boos were heard – he alluded to the tumultuous weeks he’s had in the public eye.

“I’m 19 years old; I think I’m doing a pretty good job. And basically from my heart I really just want to say it should really be about the music, it should be about the craft that I’m making. This is not a gimmick,” he said. “I’m an artist and I should be taken seriously and all this other bull should not be spoken.”

Bieber performed with will.i.am and solo when he sang “Take You” in leather pants, a leather vest and a black shirt that had one sleeve, as blue laser lights beamed.

Miguel, too, had a show-stopping performance, though he seemed to kick a fan when he jumped over the crowd while singing his hit “Adorn.” The R&B singer seemed to have landed part of his body on one woman, who walked away, and kicked another, who held her head low.

Maroon 5 and fun. were also nominated for 11 awards and walked away with one win each in pre-telecast announcements. Gotye and Rihanna had the second-most wins with four awards each.

But the awards show, airing live from MGM Grand Garden Arena in Las Vegas on ABC, is less about the trophies – which reflect success on the Billboard charts – and more about the performances. Selena Gomez sang her seductive new hit, “Come & Get It,” while Chris Brown danced around the stage to his latest single, “Fine China,” though his voice began to crack during the performance. Duo Macklemore & Ryan Lewis also performed their massive hit, “Thrift Shop,” which won top rap song.

“First and foremost, gotta thank Goodwill, gotta thank Value Village,” Macklemore said to laughs.

Kid Rock, who presented the award, sparked controversy when he told the crowd, “Let’s give it up for people lip-synching under pre-recorded music.”

Mars and his band kicked off the show in silky red suits that matched their silky dance moves, with bright gold disco balls hanging above them during a performance of the upbeat and old-school flavored “Treasure.”

Nicki Minaj won the first award in the live telecast for top rap artist, beating out Drake, Flo Rida, Pitbull and Psy.

“I definitely did not expect this one,” she said, wearing a bright red dress.

She later performed “High School” with Lil Wayne and gave the rapper a provocative lap dance onstage.

Prince, who received the icon award, closed the awards show with a melody of his jams in a turquoise and purple ensemble. He sang, dance and rocked on the guitar.

Madonna won top touring artist, dance artist and dance album for “MDNA.”

“Thank you for supporting me for three decades. Without you I truly wouldn’t be here,” she said.

Pitbull made two appearances, one with Jennifer Lopez and another with Christina Aguilera. His hit with Aguilera, “Feel This Moment,” samples A-Ha’s “Take On Me” and Morten Harket came out to sing a line from the song.

Comedian-actor Tracy Morgan was the show’s host, and he dressed as Psy in a bright yellow suit when the rapper-singer was onstage to present an award. They had a dance battle to Psy’s new single, “Gentleman.”

By MESFIN FEKADU

AP Music Writer

previously published at seattletimes.com

New York Times Magazine profiles Grammy nominee Frank Ocean

R&B singer Frank Ocean has received six Grammy nominations, putting him numerically in the same league as Kanye West and Jay-Z, each of whom is also nominated for six awards.

Among the major awards Ocean could win at Sunday’s Grammy Awards telecast are record of the year, album of the year (for the album “Channel Orange”) and best new artist.

The New York Times Magazine has published an extensive profile of Ocean (which will appear in print on Feb. 10) by writer Jeff Himmelman.

“Before ‘Channel Orange’ was released in July, Ocean was something of a sleeper in the hip-hop and R&B worlds,” Himmelman writes in a story that is highly detailed and illuminating.

“Like Ocean in person,” Himmelman continues, “the album is challenging. It demands to be taken on its own terms, and in places it puts you to work.

“For a first-time listener, things don’t fall into a ‘put this on at your party’ rhythm until the fifth track, ‘Sweet Life,’ and even then Ocean makes you stop immediately afterward for one of the album’s many non musical interludes.

“But once you’ve taken the entire album in, its internal logic — the interludes, the snippets of found audio, the song order, the sudden toggles between bravado and vulnerability in Ocean’s lyric style — begins to reveal itself.

” ‘The best song wasn’t the single,’ Ocean intones at the outset of ‘Sweet Life,’ and by the second or third time around you find yourself singing along, convinced.”

previously published by GENE STOUT