P. Lagiarist
May 29, 2016. Got old Seattle rap albums collecting dust on a shelf somewhere? Maybe you already reclaimed the space and they’re sitting in an attic long-forgotten. Hopefully you didn’t throw them out, though, as it turns out there might be quite the market for some old Seattle Rap records. Modern engineering practice for music releases and re-releases tends to include adding or editing the original playlist from the original album version. While some people (squares) don’t mind or even enjoy these changes, real Seattle OG’s believe the original cut is worth spending the additional cheddar.
This translates to listings on eBay for certain Rap records at astronomical prices. It’s unknown if these early Seattle Rap albums will reach the level of other Seattle musician’s such as Patrinell Staton’s “Little Love Affair” which sold for $3500; but we’ve seen several Seattle Rap albums such as original copies of the Emerald Street Boys early releases and Sir Mixalot’s early Nastymix singles regularly going for $500 – $1000. It is believed that Indie Seattle Rap records in particular might be valuable to collectors for other reasons. Local DJ and Hip Hop Icon JP Scratches says “Early Seattle Rap LP’s are a rarity. Finding an early eighties cassette tape from Seattle is hard enough; but finding records is nearly impossible.” Because of this, certain Seattle Rap collectors are convinced that these LP RECORDS are worth something.”
According to Seattle Hip Hop Historian and Legendary DJ Mr. Supreme, the “white-whale” of Seattle Rap is the rumored 2-copy pressing by Sir Mixalot contemporary “Baron Von Scratch”. If one of these copies was to ever surface there is no telling what sort of numbers the bidding might reach.
On the hot investment list are pre-1992 LP Records by Seattle Rap Artists the Emerald Street Boys, Sir Mixalot (Nastymix label), Incredicrew featuring Chelley Chelle, Chilly Uptown, High Performance, Criminal Nation, Kid Sensation, and Moving Target featuring David Toledo/Dawny Toledo/Esera Mose.
While it’s possible some Rap records are indeed worth quite a bit, you may also be able to find some of the more heavily produced (aka successful) artist material (Such as Sir Mixalot, Edawg, and Kid Sensation) at a very reasonable price.
LIKE THIS? YOU MAY WANT TO VISIT “DEEPEST ROOTS, 30 YEARS OF HIP HOP IN SEATTLE
https://kingcountynews.org/2014/11/11/deepest-roots-30-years-of-hip-hop-in-seattle/
(Seattle, Washington) June 17-18, 2016 marks the highly anticipated return of Hip Hop emcee, producer, and organizer Danny “King Khazm” Kogita, with a double album release and theater production entitled “Diaries of a M.A.D.” The first show at the newly renovated Historic Washington Hall.
The scene moves quickly from inspiration and heartwarming wonder to drama and suspense as Savannah Faber delivers a masterful performance as the villainous Scar, playing opposite of Mac Davido whose portrayal of the heroic Mufasa brought to the stage strength, confidence, and a lion’s roar that sent shivers down my spine. Joining these two artistic powerhouses was a stand-out performance by Jordan Palmer, who absolutely shined as King Mufasa’s advisor; the wonderfully witty Zazu. Jordan brought a sharp wit and great delivery to multiple scenes throughout the play and looked absolutely radiant adorned in a beautiful blue outfit which seemed to glow from the stage.
Scar’s pack of hideous hyena’s are a joy to watch; as no group of scheming scoundrels has ever been so much fun! Riley Shipps, Frances Laughlin, Celeste DeRonghe, Austin Higgins, Cooper Guidry, and Lachlan Swanson work wonderfully together and would be hilarious in a hyena’s spin-off performance. Each actor brings confidence and charisma to the criminally callous cur! Wickedly delicious!
There was also a quiet beauty and calm confidence brought to the stage by Sarabi and the Lionesses; who float across the stage with the strength and power of a true pride. Adorned in flowing gowns, veils, and jewelry worthy of queens. This group of actresses are fierce and formidable, and took command of the stage with striking movements and poses. Outstandingly played by Avery Darwin, Audrey Quinn, Juliana Shilipeter, Grace Bodensteiner, Myah Arrington, Jasmine Brathwaite, Anna Clark, Ellie Gunlogson, Millie Hanson, Zhaiarah Holiday, Lucy LeBaron, Sophia Litton, Lola Personett, Audrey Quinn, Brooke Swanson, and Olivia Walum.
Stella Allen, Daisy Crabtree, and Rylee Malloy fired up the crowd as Timon, Pumbaa, and Jina (Simba’s friends). These three bring an incredible combination of comedy, talent, and energy that had me wanting to get on stage. They looked like they were having so much fun I wanted to join in!
King County Broadcast 